I gave a concert of my recent surround-audio electronic works on WSU School of Music’s Faculty Artist Series this weekend, and wrote the following program notes to… Read more “Faculty Artist Series program notes”
New album PENTECOST
A new release from Irritable Hedgehog. PENTECOST collects five electronic compositions of the from the past five years, including two fresh-out-of-the-tank pieces and new versions of three others. You can pick it up on the Irritable Hedgehog website.
“And thou, Melkor, shalt see that no theme may be played that hath not its uttermost source in me, nor can any alter the music in my despite. For he that attempteth this shall prove but mine instrument in the devising of things more wonderful, which he himself hath not imagined.”
J.R.R. Tolkien, “The Silmarillion”
Passing down genes and ideas in harmony.
The players and the cynics might be thinking it’s odd,
but if you rewind the tape, we’re all copying God.
Copying God. Copying God.
Copying God, copying God.
Add your own piece, but the puzzle is God’s.”
Jack White, “Zoo Station Zebra”
The Heartland Marimba Quartet performing “Momentia/Minutia”
You can check out more of this fantastic quartet here: http://www.heartlandmarimbafestival.com/
Form sketches from “One Day…”
I’ve been conversing about sketching and process on Twitter over the last day or so (various threads and such here), and then when organizing my notebook today… Read more “Form sketches from “One Day…””
Premiere performance of Part 1 of One Day as a Thousand Years for piano and electronics. Performed at WSU by R. Andrew Lee on November 13, 2017. Program notes on SoundCloud and on my website here.
Queen of Heaven featured on Composer’s Toolbox
Nice write-up by Dan Lis exploring juxtaposed time scales and repetition, harmony, and notation in Queen of Heaven over at Composer’s Toolbox. Read it here.
A recently-finished surround electroacoustic work composed using The Ambisonic Toolkit plugins in Cockos REAPER.
“Then Ilúvatar said to them: ‘Of the theme that I have declared to you, I will now that ye make in harmony together a Great Music. And since I have kindled you with the Flame Imperishable, ye shall show forth your powers in adorning this theme, each with his own thoughts and devices, if he will. But I will sit and hearken, and be glad that through you great beauty has been wakened into song.’
Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and organs, and like unto countless choirs singing with words, began to fashion the theme of Ilúvatar to a great music; and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Ilúvatar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void.”
Happy Birthday, J. R. R. Tolkien.
Henry Brant, “Spiritual Music: ‘positive’ negative theology?”
Hans Urs von Balthasar, “The Glory of the Lord: A Theological Aesthetics” (volume 1, “Seeing the Form”)